No Pixar movie is bad, but one of them has to be the worst, and one has to be the best
Photo: Maya Robinson and Pixar This previously published story has been updated to include Turning Red.
23. Brave Pixar finally set out to fix its lack-of-female-protagonists problem — but unfortunately, it did it with an undercooked story that feels more like a response to criticism than a well-thought-out Pixar adventure. This is a textbook Idiot Plot movie, in which the whole dreadful second half could have been eliminated if Merida — who is beloved in the kingdom and would have little reason to be doubted — just said, “Hey, my mom was just transformed into this bear, everybody chill.
19. Onward An uneasy feeling sets in for Onward’s first half, as we slowly realize the movie’s flimsy high concept is being asked to carry some uninspired, familiar characterizations and yet another Let’s Go On A Quest! plot. But just when you’re about to give up on it, Onward takes its first interesting turn, slyly flipping the concept of the destination being the journey all along, and the movie begins to feel like Pixar again, somehow finding a way to squeeze a little out of your tear ducts.
15. Incredibles 2 This sequel may take place immediately after the events of The Incredibles, but for audiences, the movie world has changed immensely since the first film blasted into theaters 14 years ago. For one thing, a superhero film is no longer a novelty — it’s now a Hollywood staple — but in a more general sense, Brad Bird’s original vision of a rollicking, action-packed animated family film has been duplicated by Pixar’s competitors.
11. Finding Dory Thirteen years after the marvelous Finding Nemo hit theaters, it’s debatable whether audiences were clamoring for a sequel. Yet, Finding Dory is a pretty stellar follow-up, with director Andrew Stanton returning to the original’s themes of family, loss, and reconciliation to deliver another action-packed, emotion-soaked comedy.
7. Inside Out Those going through Parks & Rec withdrawal, rejoice: Amy Poehler’s adorable Inside Out character Joy isn’t that far removed from her hyperpositive, smilingly pushy Leslie Knope, running the emotional headquarters inside the brain of a happy tween like it’s her own little sunny fiefdom.
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