Aleem Khan's British-French drama is taking its North American bow in limited release.
doesn’t review films that were released more than a year ago. But an exception had to be made for, a transcendent chamber piece that was slated to debut in Critics’ Week at the 2020 edition of Cannes — the one that didn’t actually take place.
Even without that high-profile launching pad, the film nevertheless went on to garner awards and praise in its domestic markets and beyond, especially for lead. Her exceptional performance as Mary/Fatima, an English woman who converted to Islam for marriage years ago and suddenly finds out that her husband was leading a double life, is a miraculous study of grief, jealousy and ultimately compassion, all executed with very little dialogue.
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