Beyoncé’s decision to drop an interpolation of Kelis’s “Milkshake” from a new track has surprised some music professionals. “It could open up a can of worms,” says one.
on her new album, “Renaissance,” after complaints of “thievery” by the singer Kelis is raising questions among music-industry insiders about where exactly artists should draw the line in handling such claims.
Music stars have become more generous when crediting other artists and songwriters in recent years after a spate of high-profile copyright cases. But Beyoncé’s decision comes as a surprise: Instead of reaching an agreement with Kelis publicly, or rejecting her complaint, she acted quietly, without public comment, giving the impression of giving in to Kelis’s pressure.
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