For Peggy Nolan, the gift of a Nikon camera at 40 resulted in a breathtaking body of work, encapsulating her children’s coming of age in South Florida
“The reason I like to photograph kids is that they don’t hold back. Grown-ups don’t touch each other as much, they don’t sit with their legs open on a chair, they don’t eat their hair. They get rid of all those habits and become ‘civilised’. “The most interesting age to photograph was probably when they became sexually interested. It added a tension to life that was really fun to see. I’m very interested in boredom, too.
The more you can use your senses, the more genuine the finished product will be. I don’t think about the past very much; I live in the moment. The pictures are my work now, and they’re very different to the actual lives of my children. When I was making the pictures, when I look at them now, I think of my children as objects. I don’t have a sentimental attachment to them in the work, it’s more of an aesthetic attachment.
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