A Guide to Black Art in DC: Emerging Artists, Galleries, and More 100 years of innovative and enduring work
, a Pulitzer Prize–winning author and Black-studies professor at the University of California, Santa Barbara.“Wind and Crepe Myrtle Concerto” by Alma Thomas, 1973, Smithsonian American Art Museum .“Behold Thy Son” by David C. Driskell, 1956, National Museum of African American History & Culture .“Wives of Sango” by Jeff Donaldson, 1971, National Museum of African American History & Culture .
“W.E.B. Du Bois” by Addison N. Scurlock, 1911, National Portrait Gallery . Photograph courtesy of Scurlock Studio Records, Archives Center, National Museum of American History.“Les Fétiches” by Loïs Mailou Jones, 1938, Smithsonian American Art Museum . Photograph courtesy of National Museum of Women in the Arts.“It is much more than a tool—it is some graceful, mysterious being easing across the floor.”“Our finest portrait of W.E.B.
Larry Neal, a significant figure in the Black Arts Movement, is named executive director of the DC Commission on the Arts and Humanities.Richard Powell curates the group show “From the Potomac to the Anacostia” at Washington Project for the Arts.“Sand Dunes at Sunset, Atlantic City” courtesy of White House Collection/White House Historical Association.
The White House acquires a painting by Henry Ossawa Tanner, the first work by a Black artist in its permanent collection.Photograph courtesy of David C. Driskell Papers at David C. Driskell Center, University of Maryland. David C. Driskell founds a center at the University of Maryland to study and promote African American art. Driskell, who died in 2020, was one of the country’s most important scholars of Black art.The National Gallery of Art puts on a major retrospective of work by Romare Bearden, one of America’s most significant artists of color.The Corcoran Gallery of Art shuts down. Its collection—which includes significant work by many Black artists—is later acquired by various other DC museums.
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