Some AI platforms may be doing with other media what Napster did with songs—ignoring copyright altogether. The lawsuits have started to fly
unveiled on March 14th. Mr Martin may find it useful. Michael Nash, chief digital officer at Universal Music Group, the world’s biggest label, cites their examples as evidence of both excitement and fear about the or Stable Diffusion . It could help the creative process. It could also destroy or usurp it.
It is a legal minefield with implications that extend beyond the creative industries to any business where machine-learning plays a role, such as self-driving cars, medical diagnostics, factory robotics and insurance-risk management. The European Union, true to bureaucratic form, has a directive on copyright that refers to data-mining . Experts say America lacks case history specific to generative.
The main arguments around “fair use” are fascinating. To borrow from a masterclass on the topic by Mark Lemley and Bryan Casey in the, a journal, use of copyrighted works is considered fair when it serves a valuable social purpose, the source material is transformed from the original and it does not affect the copyright owners’ core market. Critics argue thats do not transform but exploit the entirety of the databases they mine.
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