The Greek auteur's extremely weird early work makes his English-language efforts look tame in comparison.
The Big Picture Greek filmmaker Yorgos Lanthimos stormed into the art-house scene with The Lobster in 2015, introducing his particularly queasy brand of weird to international audiences, though it pales in comparison to the bizarreness of his early work.
What Are Yorgos Lanthimos' ‘Dogtooth’ and ‘Alps’ Really About? Dogtooth and Alps may sport fairly straightforward premises, though it isn’t a Yorgos Lanthimos movie if you don’t have an ‘Ending Explained’ article primed for directly after. While Lanthimos’ first two films, My Best Friend and Kinetta are nigh-impossible to find, it’s the director’s third and fourth features that make for some exceptionally engaging analysis, particularly when compared to one another.
Alps offers a kind of mirror image to Dogtooth in the sense that it’s not about people in a fictional world entering reality but vice versa. The complications of Alps stem from one of the actors growing over-attached to her role as a grief aid. While Lanthimos would prefer to avoid comparison, stating in a Cineuropa interview that “the only thing the two films have in common is their two screenwriters,” he precedes this statement by calling these films opposites.
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