One man’s trash can be another man’s treasure, even when the sound quality is garbage.
around his relationship to his local record store, where as a teenager in the 1980s he often opted to get paid in music instead of cash. Flipside Records has certainly seen better days . The shoebox-shaped storefront is crammed floor to ceiling with worn LPs, with aisles barely wide enough to squeeze past another browser, and the days when owner Dan Dondiego could take on any kind of a staff seem to be long past.
Hirayama’s fondness for reading Faulkner before he turns in at night suggests an inner life belied by his lowly occupation, but the movie doesn’t condescend to the toil of a physical laborer. He treats each public toilet he cleans with methodical care, using a mirror to check that even unseen corners are cleaned, and losing himself in the ritual of work. His life is solitary and orderly, but not empty.
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