Who knew a dragon could be such an icon?
For nearly a century, the enchanting world of Disney has captivated the hearts of queer audiences, whisking them away to a realm of wonder and adventure where "it makes no difference who you are." However, beneath the surface of their lyrical proclamations of inclusivity lies a more nuanced tale.
Queer narratives were present in Disney's films as early as 1930. Due to the restrictive guidelines of The Motion Picture Production Code, more popularly known as The Hays Code, queerness could only be hinted at, rather than unambiguously shown. Enforced by the Motion Picture Association of America from 1934 to 1968, The Hays Code established a set of moral guidelines that dictated the boundaries of film content.
In the end, the knight assigned to slay the dragon orchestrates a staged battle with a delightful twist. Behind the swirling smoke of the mock fight, the audience is treated to a charming sequence of the knight and dragon waltzing together. After the knight emerges triumphant, he challenges the village's perception of the dragon, resulting in their warm welcome.
How Did the Disney Renaissance Change LGBTQ+ Characters? Queer individuals probably know the name Howard Ashman, the out-and-proud gay lyricist and producer who played a pivotal role during Disney's Renaissance era, a magical decade between 1989 and 1999 when Walt Disney Animation Studios returned to its roots of making musical, animated adaptions of well-known classic stories. Ashman flaunted queer implications, making them tangible in every song, character, and theme.
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