The star is the subject of a film by Thom Zimny that includes Henry Winkler, Quentin Tarantino and Arnold Schwarzenegger among interviewees.
succeeds, it’s because Stallone is a rather tremendous observer of his own work. When it falls short, it’s because Stallone observes other aspects of his life in platitudes that sound revelatory, but really represent evasiveness that Zimny has to obscure with careful editing.
Stallone’s personal candor peaks with his discussion of his childhood as he and brother Frank address — separately — their abusive father and, in much more nebulous terms, their eccentric mother.
On the personal side of things, that means Stallone mostly wants to talk about his family in terms of the choices he had to make in prioritizing work. He admits the regrets, and Zimny occasionally slips in pictures of his family, but I’m pretty sure none of his three wives — two ex, one current — is mentioned by name; of his kids, only his late son Sage is referenced, and mostly in the context of.
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