SC103's fall 2022 collection is here. See every look:
The fashion system works in reverse. Designers toil away at collections in isolation, without seeing the clothing come alive until it hits the runway, and even then, that’s only in a fashion industry vacuum. It typically takes months before a designer will see their garments on a person walking down the street and understand how their product interlaces into a customer’s life.
Sophie Andes-Gascon and Claire McKinney aren’t real fashion industry types, even if they are working on their first ever factory-produced pieces for fall 2022. Since inception, their brand has been entirely made by their four hands, and as such, they get to play by their own fashion rules. For fall 2022, they reversed the system.
“We wanted to see our clothing in different environments,” Andes-Gascon said, “the suitcase, the floor, the garage, a party.” One of her wallflower cousins turned supermodel in the clothing. An aunt, “really did not like it,” she continued with a laugh. At McKinney’s house, it was just the designer and her mom, and so they built models out of rakes and brooms in the garage to show off the garments.
The results of the wear-testing is that this SC103 proposition looks punchier and more viable than previously. You can tell, in the reasonable pairing of a washed tee and hand-crocheted circular vest, or the slouchy wearable shape of a patchwork tunic dress, that these clothes have been tousled, talked back to, conversed with—and that experience makes Andes-Gascon and McKinney’s sometimes too whimsical garments feel more real and rugged.
The magic of their hand-work shines even brighter against the cool nylon of windbreakers and trousers that will be produced in small batches for wholesale accounts. What Andes-Gascon and McKinney can do with scraps is almost unbelievable: knitting leather detritus into bustiers, thin scarves, and sinuous tops. The offcuts of their popular link bags are also made into draped tops and cut into an abstracted argyle sheer tunic.
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