On her gorgeous third album, ‘Ulaan,’ the inventive vocalist blurs the line between worldly and otherworldly
Whenever people from disparate geographies come together to make new music, passive listeners tend to treat the results like mosaics or club sandwiches — assemblages made to dazzle and nourish us with the vague suggestion of a universal language that might eventually help our idiot species transcend its fractiousness. Enji’s music feels way deeper than that. No tiles, no tiers, no pseudo-kumbaya.
Style is where The Washington Post covers happenings on the front lines of culture and what it all means, including the arts, media, social trends, politics and yes, fashion, all told with personality and deep reporting. For more Style stories,It barely exists, though. The instrumentation on “Ulaan” feels so delicate, it’s often on the precipice of vanishing.
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