With Barry on the lam, Hank, Sally, and Gene hit new lows.
Hank’s also worried about Barry, but even more immediately, about the returning Chechens. When we catch up with him amid Dave Wingo’s pulsating electronic score, Hank watches the skies like Fuches, keenly aware that the choppers are looking for their old friend. Since Toro failed to kill Barry last week because this is what happens when you hire two guys with a podcast, Hank’s likely regretting calling him a narcissistic, self-centered, murdering piece of shit.
As apprehensive as Hank seems, Cristobal is bubbling over with pride. The sand will make him legitimate, and he and Hank can live like two Dorthys in Oz. Nevertheless, it’s time for his team to relax and party with free drinks, casino games, and snacks. Hader and his production designers know how to throw a sad party—put it in a big open space that would be impossible to fill.The only one ignoring the helicopters is Sally, who is, surprisingly, on set with her new acting student Kristen.
The camera rushes over to Cristobal, stuck in the sand with his face and arm still exposed. As he calls for Hank, he sinks deeper with the sand muffling his cries for help. Hader’s clever use of sound here, raising and lowering the volume depending on where Cristobal and Hank are, puts the viewer in this experience and ratchets the tension. The darkness goes on forever as we ponder a world without Cristobal.
Hank’s betrayal begins one of the most heartwrenching scenes on the show. Michael Irby and Anthony Carrigan have such a strong foundation for their characters, playing both games to perfection. But here, they’re human, in all their crying, imperfect glory. Hank pleads with Cristobal to accept the facts: The Chechens will wipe them out if they don’t fall in line, and to their credit, the Chechens welcome Cristobal, a former rival, with open arms. He’s Hank’s family, so he’s the Chechens’ family.
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